Read e-book online Adrift (Adrift Series, Book 1) PDF

By K. R. Griffiths

For artist Dan Bellamy and his new bride Elaine, a visit at the world's greatest, most recent cruise send represents greater than simply the honeymoon of an entire life: it's also a party of the growth Dan has made towards beating the agoraphobia that has plagued him given that he suffered a terrible knife assault years earlier.

The send is an ideal floating paradise, but if Dan spots what he thinks is a physique being thrown overboard, he starts off to suspect that now not everyone aboard the Oceanus is there for a vacation.

Soon, Dan will observe that there are a few things worse than homicide, and the physique he observed is simply the start. simply because whatever is coming for the passengers at the Oceanus.

Something that isn't presupposed to exist...

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Additional info for Adrift (Adrift Series, Book 1)

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She turned toward him. He pointed to the street and was on the point of saying that people were walking in slow motion, when he noticed that they were now walking in a normal way. He apologized for startling her. She smiled compassionately, then turned back to resume her make up.

111 She started to do it. ” He gave her the wind-up toy. He then opened his notebook and jutted down: “While I tend to agree with what Jalal Toufic wrote in Distracted: ‘To let the house crumble until there remains a wall. A wall cannot be demolished. The one who tries to demolish it turns into a normal person, becomes himself a wall. To perforate the wall. The dangerous necessity of becoming a rat ... Perforation should go on until one reaches the most terrible, best hidden of all walls: one’s teeth.

All discourse on authenticity implies a suspicion toward, and prepares the ground for an attack on recent ruins, accepting only ancient “ruins,” archeological “ruins,” many of which while not restored are probably no longer ruins, no longer labyrinthine in their temporality and space. One can preserve a war-damaged or crumbling building, but no one has any control over whether it will remain a ruin. I am fascinated by how and why war-damaged or crumbling buildings turn from ruins, with their idiosyncratic, often labyrinthine temporality, to that of more or less precisely datable structures in chronological time.

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