By Norma Jones
Individuals: Jace Allen, Patrice M. Buzzanell, Guillaume de Syon, Suzy D'Enbeau, Athena du Pré, Itir Erhart, Hande Eslen-Ziya, Amanda Gallagher, Dustin Bradley Goltz, Paul Haridakis, Salvador Jimenez Murguia, Emily S. Kinsky, Ryan Lescure, Mei-Chen Lin, Nathan Miczo, Cynthia J. Miller, Carlos D. Morrison, Caryn E. Neumann, Ayoleke David Okeowo, Barbara cook dinner Overton, Loretta L. Pecchioni, Anna Thompson Hajdik, Jacqueline Allen Trimble, Kathleen M. Turner, A. Bowdoin Van Riper, Gust A. Yep
Despite the expanding quantity and diversity of older characters showing in movie, tv, comics, and different pop culture, a lot of the knowledge of those figures has been restricted to superseded stereotypes of getting older. those comprise depictions of frailty, resistance to fashionable lifestyles, and mortality. extra importantly, those stereotypes impression the day-by-day lives of getting older adults, in addition to how more youthful generations understand and engage with older participants. In gentle of our graying inhabitants and the turning out to be range of portrayals of older characters in pop culture, you will need to learn how we comprehend aging.
In Aging Heroes: growing old in renowned Culture, Norma Jones and Bob Batchelor current a suite of essays that deal with the expanding presence of characters that concurrently take place and problem the authorized stereotypes of getting older. The members to this quantity discover representations in tv courses, comedian books, theater, and other kinds of media. The chapters comprise examinations of getting older female and male actors who tackle prime roles in such video clips as Gran Torino, Grudge Match, get away Plan, area Cowboys, Taken, and The massive Lebowski as good as TheExpendables, Red, and X-Men franchises. different chapters deal with perceptions of masculinity, sexuality, gender, and race as manifested by way of such cultural icons as Superman, ask yourself girl, Danny Trejo, Helen Mirren, Betty White, Liberace, and Tyler Perry’s Madea.
With multi-disciplinary and available essays that surround the increasing spectrum of getting older and similar stereotypes, this ebook bargains a broader diversity of latest how one can comprehend, understand, and view getting older. Aging Heroes could be of curiosity to students of movie, tv, gender stories, women’s experiences, sociology, getting older reviews, and media stories, in addition to to normal readers.
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Additional info for Aging Heroes: Growing Old in Popular Culture
In many instances the aging hero wrestles with exhibiting these values, ultimately coming to embrace them after an internal struggle over whether to do so. For example, Rooster Cogburn (John Wayne) in True Grit starts out searching for a killer for selfish reasons (the reward money the murdered man’s daughter offers). However, during the course of the film he does the right thing. He helps the young girl find the outlaw who killed her father and serves justice. In the movie’s final scene, after visiting her father’s grave with her, he says to her, “Well, come see a fat old man sometime,” and jumps his horse over a fence, rejuvenated, as he rides off.
These age stereotypes suggest that we do have multiple representations of aging, and that they range from extremely positive to extremely negative. Even though people hold both positive and negative age stereotypes of old age, negative age stereotypes tend to have more influence than positive ones. Negative age stereotypes also have been found to be more accessible than positive age stereotypes, especially for young people, 3 and they are more prominent in people’s minds. 4 In addition, Hummert suggests that young people tend to think of negative stereotypes more characteristic of older adults than positive stereotypes when the target of the stereotype is female and much older (seventy-five or over).
Another aging character hinting at underpinnings in myth and legend is Felix Bush, the mysterious hermit at the narrative center of Get Low. Loosely based on the real-life 1930s story of Tennessean Felix Breazeale, 10 the film spins a tale of pain and alienation at the end of a lifetime of regret. Living deep in the woods, the cantankerous Bush (Robert Duvall) strikes fear into the hearts of local children, who dare each other to approach his house, and is the subject of rumor and speculation in the community.